French Horn Hell
The performance had the scope and scale of a natural disaster. The Romanze opens with an entirely doable B flat, but I landed on an altogether different note, and flailed and thrashed through the rest of the opening phrase like a drowning three-year-old. After four bars my intimidating accompanist decided that there was no real point in hoping for some kind of overlap between the key I was playing in and the key he was playing in. He pulled his fingers away from the keyboard and, looking inquiringly over his shoulder, sounded a discreet B flat.